DPA DDK4000 DRUM MICROPHONE KIT With Peli case

4060 CORE Lavalier Kit

This kit is perfect for broadcasters, TV studios, news anchors and other public speakers. 4060 Miniature Omnidirectional Microphone is a 'robust and unobtrusive' solution. Set for normal SPL, the mic is natural sounding, offers great detail and resolution, and has a very low noise floor.

4060 CORE Stereo Kit

This stereo microphone kit is a flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within +/-1.5dB. The 4060 CORE lavaliers are designed for use with normal SPL sources.

4061 CORE Stereo Kit

Similar in content to the 4060 CORE Stereo Kit, this kit is a flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within 1.5dB. The 4061 CORE lavaliers are designed for use with loud SPL.

4071 CORE ENG/EFP Kit

This microphone kit is configured with a 4071 CORE microphone and the accessories necessary for electronic newsgathering and electronic field production. The ENG/EFP kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.

4071 CORE Film Kit

This microphone kit is made for film or TV productions where the microphone needs to be invisible. 4071 CORE Film Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.

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4097 CORE INTERVIEW KIT

The DPA CORE Interview Kit allows sound engineers to obtain high quality audio whilst retaining distance between engineer and subject. A Manfrotto boompole extends to 140cm and holds the 4097 CORE mini shotgun gooseneck microphone via the included CS4099 cold shoe mount. When collapsed the kit is around 40cm in length and 330g in weight.

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The included 1.8m MicroDot cable links the microphone capsule to the handle of the boompole, whereby a bodypack transmitter can be attached using the included plate and hook and look system. Various optional MicroDot adapters are available to suit a variety of transmitter connection types. The transmitter plate can also be attached to the base end of the boompole if preferred.

5006-11A

5006-11A Surround Kit combines three 4006A omnidirectional microphones and two 4011A cardioid microphones, carefully factory-matched within +/-1dB to achieve full precision. The specially-selected 4006A microphones are matched within +/-0.5dB on both frequency response and sensitivity. The 4011As are matched within +/-1dB. The natural sound, high sensitivity, low noise-floor and 'extremely' linear frequency response from 10Hz to 20kHz (+/-2 dB) of the microphones make the 4006A omnidirectional microphones ideal for all AB Stereo, Decca Tree or surround main array recordings.

5006A

5006A is a complete surround kit with 5x factory-matched 4006A omnidirectional microphones. The selected 4006A microphones are matched within +/-0.5dB on both frequency response and sensitivity from mean of set. The natural sound, high sensitivity, low noise-floor, and 'extremely linear' frequency response from 10Hz to 20kHz (+/-2dB) of the microphones make the 4006A omnidirectional mics ideal for all AB Stereo, Decca Tree or surround main array recordings.

5015A

5015A is a complete surround kit with 5x factory-matched 4015 wide cardioid microphones. The microphones are matched within +/-1dB on both frequency response and sensitivity from mean of set. The natural response and dynamic range of this surround kit aid recording orchestras or other acoustic instruments, whilst the kit is also an apt solution for AB, Decca Tree or surround main arrays.

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